Beverly Sills and Friends
©℗ 2006 Deutsche Grammophon GmbH, Berlin
- Massenet•Manon: 'Je marche sur tous les chemins' (Manon, Act III)•Je marche sur tous les chemins
- Massenet•Manon: 'Obéissons quand leur voix appelle' (Manon, Act III)•Obéissons quand leur voix appelle
- Massenet•Manon: 'Un mot, s'il vous plaît, chevalier!' – 'À nous les amours et les roses!' (Guillot, Poussette, Javotte, Rosette, Des Grieux, Manon, Lescaut, Act IV)•Un mot, s'il vous plaît, chevalier! – À nous les amours et les roses!
- Donizetti•Lucia di Lammermoor (Naples 1835): 'Sulla tomba che rinserra' (Edgardo, Lucia, Act I)•Sulla tomba che rinserra – Verranno a te sull'aure
- Donizetti•Lucia di Lammermoor (Naples 1835): 'Chi mi frena in tal momento' (Edgardo, Lucia, Arturo, Raimondo, Alisa, Normanno, Act II)•Chi mi frena in tal momento
- Bellini•I puritani (The Puritans): 'O amato zio, o mio secondo padre!' (Elvira, Giorgio, Act I)•O amato zio, o mio secondo padre!
- Bellini•I puritani (The Puritans): 'Chi mosse a' miei desir il genitor?' (Elvira, Giorgio, Act I)•Chi mosse a' miei desir il genitor?
- Bellini•I puritani (The Puritans): 'Odi... oh ciel, qual suon si desta?' (Elvira, Giorgio, Act I)•Odi... oh ciel, qual suon si desta?
- Donizetti•Anna Bolena: 'Dio che mi vedi in core' (Anna, Giovanna, Act II)•Dio che mi vedi in core
- Donizetti•Anna Bolena: 'Sul suo capo aggravi un dio' (Anna, Giovanna, Act II)•Sul suo capo aggravi un dio
- Donizetti•Anna Bolena: 'Dal mio cor punita io sono' (Giovanna, Anna, Act II)•Dal mio cor punita io sono
- Donizetti•Anna Bolena: 'Va', infelice, e teco reca il perdono di Bolena' (Anna, Giovanna, Act II)•Va', infelice, e teco reca il perdono di Bolena
- Donizetti•Roberto Devereux: 'Nunzio son del Parlamento' (Cecil, Sara, Elisabetta, Page, Raleigh, Chorus, Act I)•Nunzio son del parlamento
- Donizetti•Maria Stuarda (Mary Stuart): 'Deh! L'accogli' – 'Morta al mondo, ah! morta al trono' (Leicester, Elisabetta, Talbot, Maria, Cecil, Anna, Act II)•Deh! L'accogli – Morta al mondo, ah! morta al trono
- Donizetti•Maria Stuarda (Mary Stuart): 'Va, preparati, furente' (Elisabetta, Cecil, Maria, Leicester, Anna, Talbot, Act II)•Va, preparati, furente
- Offenbach•Les contes d'Hoffmann (The Tales of Hoffmann): 'Belle nuit, ô nuit d'amour' (Barcarolle) (Niklaus, Giulietta, Act II)•Belle nuit, ô nuit d'amour
- Offenbach•Les Contes d'Hoffmann: Cher ange (Act 2)•I. Cher ange
- Offenbach•Les contes d'Hoffmann (The Tales of Hoffmann): 'Malheureux, tu ne comprends donc pas' (Giulietta, Hoffmann, Act IV)•Malheureux, tu ne comprends donc pas
- Moore•The Ballad of Baby Doe (New York 1958): 'Willow, where we met together' (Baby Doe, Act I)•Willow, where we met together
- Moore•The Ballad of Baby Doe (New York 1958): Oh, Mr. Tabor! (Act I)•Oh, Mr. Tabor!
- Moore•The Ballad of Baby Doe (New York 1958): 'Warm as the autumn light' (Tabor, Act I)•Warm as the autumn light
- Adam•Le toréador: 'Ah! Vous dirai-je, maman' (Coraline, Act 1) (arr. For voice, flute and piano)•I. Ah! Vous dirai-je, maman
- Schubert•Der Hirt auf dem Felsen op. posth. 129 D 965•Wenn auf dem höchsten Fels ich steh
- Handel•German Arias HWV 202-210•5. Singe, Seele, Gott zum Preise HWV 206
- Arne•Artaxerxes: 'The soldier tir'd of war alarms' (Mandane, Act III)•The soldier tir'd of war alarms
- Caldara•Cantata "La rosa"•I. Cantata "La rosa"
- Rowley Bishop•The Comedy of Errors: „Lo! Hear The Gentle Lark“ (arr. for voice, flute and piano)•I. Lo! Hear The Gentle Lark
- Lehár•Der Zarewitsch: 'Einer wird kommen' (Sonja, Act 1)•Einer wird kommen