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Gilbert and Sullivan

©℗ 1999 Telarc
  • Sullivan • The Mikado • Act I • No. 1.1 Chorus of Men 'If you want to know who we are' (Chorus) –
    The Mikado
    Act I • No. 1.1 Chorus of Men 'If you want to know who we are' (Chorus) –    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 2 Song and Chorus 'A wand'ring minstrel, I' (Nanki-Poo, Chorus)
    The Mikado
    Act I • No. 2 Song and Chorus 'A wand'ring minstrel, I' (Nanki-Poo, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 3 Song 'Our great Mikado, virtuous man' (Pish-Tush, Chorus)
    The Mikado
    Act I • No. 3 Song 'Our great Mikado, virtuous man' (Pish-Tush, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 4 Song 'Young man, despair' (Poo-Bah, Nanki-Poo, Pish-Tush)
    The Mikado
    Act I • No. 4 Song 'Young man, despair' (Poo-Bah, Nanki-Poo, Pish-Tush)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 4a Recitative 'And have I journey'd for a month' (Nanki-Poo, Poo-Bah)
    The Mikado
    Act I • No. 4a Recitative 'And have I journey'd for a month' (Nanki-Poo, Poo-Bah)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 5 Chorus with Solo 'Behold the Lord High Executioner!' (Ko-Ko, Chorus)
    The Mikado
    Act I • No. 5 Chorus with Solo 'Behold the Lord High Executioner!' (Ko-Ko, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 5a Song 'As some day it may happen' (Ko-Ko, Chorus)
    The Mikado
    Act I • No. 5a Song 'As some day it may happen' (Ko-Ko, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 6 Chorus of Girls 'Comes a train of little ladies' (Chorus)
    The Mikado
    Act I • No. 6 Chorus of Girls 'Comes a train of little ladies' (Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 7 Trio 'Three little maids from school are we' (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus)
    The Mikado
    Act I • No. 7 Trio 'Three little maids from school are we' (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 8 Quartet 'So please you, sir, we much regret' (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Chorus)
    The Mikado
    Act I • No. 8 Quartet 'So please you, sir, we much regret' (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 9 Duet 'Were you not to Ko-Ko plighted' (Nanki-Poo, Yum-Yum)
    The Mikado
    Act I • No. 9 Duet 'Were you not to Ko-Ko plighted' (Nanki-Poo, Yum-Yum)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 10 Trio 'I am so proud' (Poo-Bah, Ko-Ko, Pish-Tush)
    The Mikado
    Act I • No. 10 Trio 'I am so proud' (Poo-Bah, Ko-Ko, Pish-Tush)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act I • No. 11.1 Finale 'With aspect stern and gloomy stride' (Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Peep-Bo, Pitti-Sing, Pish-Tush, Chorus) –
    The Mikado
    Act I • No. 11.1 Finale 'With aspect stern and gloomy stride' (Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Peep-Bo, Pitti-Sing, Pish-Tush, Chorus) –    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 1 Solo 'Braid the raven hair' (Pitti-Sing, Chorus)
    The Mikado
    Act II • No. 1 Solo 'Braid the raven hair' (Pitti-Sing, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 2 Song 'The sun, whose rays are all ablaze' (Yum-Yum)
    The Mikado
    Act II • No. 2 Song 'The sun, whose rays are all ablaze' (Yum-Yum)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 3 Madrigal 'Brightly dawns our wedding day' (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
    The Mikado
    Act II • No. 3 Madrigal 'Brightly dawns our wedding day' (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 4 Song 'Here's a how-de-do!' (Yum-Yum, Nanki-Poo, Ko-Ko)
    The Mikado
    Act II • No. 4 Song 'Here's a how-de-do!' (Yum-Yum, Nanki-Poo, Ko-Ko)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 5 Entrance of Mikado and Katisha 'Miya sama, miya sama' (Mikado, Katisha, Chorus)
    The Mikado
    Act II • No. 5 Entrance of Mikado and Katisha 'Miya sama, miya sama' (Mikado, Katisha, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 6 Song 'A more humane Mikado' (Mikado, Chorus)
    The Mikado
    Act II • No. 6 Song 'A more humane Mikado' (Mikado, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 7 Trio and Chorus 'The criminal cried as he dropped him down' (Ko-Ko, Pitti-Sing, Poo-Bah, Chorus)
    The Mikado
    Act II • No. 7 Trio and Chorus 'The criminal cried as he dropped him down' (Ko-Ko, Pitti-Sing, Poo-Bah, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 8 Glee 'See how the Fates their gifts allot' (Mikado, Pitti-Sing, Poo-Bah, Ko-Ko, Katisha)
    The Mikado
    Act II • No. 8 Glee 'See how the Fates their gifts allot' (Mikado, Pitti-Sing, Poo-Bah, Ko-Ko, Katisha)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 9 Duet 'The flowers that bloom in the spring' (Nanki-Poo, Yum-Yum, Pitti-Sing, Poo-Bah, Ko-Ko)
    The Mikado
    Act II • No. 9 Duet 'The flowers that bloom in the spring' (Nanki-Poo, Yum-Yum, Pitti-Sing, Poo-Bah, Ko-Ko)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 10 Recitative and Song 'Alone, and yet alive' – 'Hearts do not break' (Katisha)
    The Mikado
    Act II • No. 10 Recitative and Song 'Alone, and yet alive' – 'Hearts do not break' (Katisha)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 11 Song 'On a tree by a river' (Ko-Ko)
    The Mikado
    Act II • No. 11 Song 'On a tree by a river' (Ko-Ko)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 12 Duet 'There is beauty in the bellow of the blast' (Katisha, Ko-Ko)
    The Mikado
    Act II • No. 12 Duet 'There is beauty in the bellow of the blast' (Katisha, Ko-Ko)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Mikado • Act II • No. 13 Finale 'For he's gone and married Yum-Yum' (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Peep-Boh, Poo-Bah, Pish-Tush, Chorus)
    The Mikado
    Act II • No. 13 Finale 'For he's gone and married Yum-Yum' (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Peep-Boh, Poo-Bah, Pish-Tush, Chorus)    Libretto: William Schwenck Gilbert
    Anne Howells (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), Janice Watson (Soprano), Marie McLaughlin (Soprano), Nicholas Folwell (Baritone), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1992
  • Sullivan • The Yeomen of the Guard • Act I • 1. Overture
    The Yeomen of the Guard
    Act I • 1. Overture    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 2. Song 'When Maiden Loves'
    The Yeomen of the Guard
    Act I • 2. Song 'When Maiden Loves'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 3. Double Chorus 'Tower Warders, Under Orders… This the Autumn of Our Life'
    The Yeomen of the Guard
    Act I • 3. Double Chorus 'Tower Warders, Under Orders… This the Autumn of Our Life'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 4. Song with Chorus 'When Our Gallant Norman Foes'
    The Yeomen of the Guard
    Act I • 4. Song with Chorus 'When Our Gallant Norman Foes'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 5. Trio 'Alas! I Waver to and Fro'
    The Yeomen of the Guard
    Act I • 5. Trio 'Alas! I Waver to and Fro'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 6. Ballad 'Is Life a Boon?'
    The Yeomen of the Guard
    Act I • 6. Ballad 'Is Life a Boon?'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 7. Chorus 'Here's a Man of Jollity'
    The Yeomen of the Guard
    Act I • 7. Chorus 'Here's a Man of Jollity'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 8. Duet 'I Have a Song to Sing'
    The Yeomen of the Guard
    Act I • 8. Duet 'I Have a Song to Sing'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 9. Trio 'How Say You, Maiden'
    The Yeomen of the Guard
    Act I • 9. Trio 'How Say You, Maiden'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 10. Song 'I've Jibe and Joke, and Quip and Crank'
    The Yeomen of the Guard
    Act I • 10. Song 'I've Jibe and Joke, and Quip and Crank'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 11. Recitative and Song ''Tis Done, I Am a Bride… Though Tear and Long-Drawn Sigh'
    The Yeomen of the Guard
    Act I • 11. Recitative and Song ''Tis Done, I Am a Bride… Though Tear and Long-Drawn Sigh'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 12. Song 'Were I Thy Bride'
    The Yeomen of the Guard
    Act I • 12. Song 'Were I Thy Bride'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act I • 13. Finale 'Oh, Sergeant Meryll, Is It True'
    The Yeomen of the Guard
    Act I • 13. Finale 'Oh, Sergeant Meryll, Is It True'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 1. Chorus and Solo 'Night Has Spread Her Pall Once More'
    The Yeomen of the Guard
    Act II • 1. Chorus and Solo 'Night Has Spread Her Pall Once More'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 2. Song 'Oh, a Private Buffoon Is a Light-Hearted Loon'
    The Yeomen of the Guard
    Act II • 2. Song 'Oh, a Private Buffoon Is a Light-Hearted Loon'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 3. Duet 'Hereupon We're Both Agreed'
    The Yeomen of the Guard
    Act II • 3. Duet 'Hereupon We're Both Agreed'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 4. Ballad 'Free from His Fetters Grim'
    The Yeomen of the Guard
    Act II • 4. Ballad 'Free from His Fetters Grim'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 5. Quartet 'Strange Adventure'
    The Yeomen of the Guard
    Act II • 5. Quartet 'Strange Adventure'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 6. Scene 'Hark, What Was That, Sir?'
    The Yeomen of the Guard
    Act II • 6. Scene 'Hark, What Was That, Sir?'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 7. Trio 'A Man Who Would Woo a Fair Maid'
    The Yeomen of the Guard
    Act II • 7. Trio 'A Man Who Would Woo a Fair Maid'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 8. Quartet 'When a Wooer Goes a-Wooing'
    The Yeomen of the Guard
    Act II • 8. Quartet 'When a Wooer Goes a-Wooing'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 9. Duet 'Rapture, Rapture'
    The Yeomen of the Guard
    Act II • 9. Duet 'Rapture, Rapture'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Yeomen of the Guard • Act II • 10. Finale 'Comes the Pretty Young Bride'
    The Yeomen of the Guard
    Act II • 10. Finale 'Comes the Pretty Young Bride'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 1 Solo and Chorus 'Hark, the hour of ten is sounding' (Usher, Chorus)
    Trial by Jury
    No. 1 Solo and Chorus 'Hark, the hour of ten is sounding' (Usher, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 1a Recitative 'Is this the Court of the Exchequer?' (Defendant, All, Chorus of Jurymen)
    Trial by Jury
    No. 1a Recitative 'Is this the Court of the Exchequer?' (Defendant, All, Chorus of Jurymen)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 2 Song and Chorus 'When first my old, old love I knew' (Defendant, Chorus of Jurymen, Usher)
    Trial by Jury
    No. 2 Song and Chorus 'When first my old, old love I knew' (Defendant, Chorus of Jurymen, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 3 Chorus and Solo 'All hail, great Judge!' (Judge, All, Chorus)
    Trial by Jury
    No. 3 Chorus and Solo 'All hail, great Judge!' (Judge, All, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 4 The Judge's Song 'When I, good friends, was call'd to the Bar' (Judge, All, Chorus)
    Trial by Jury
    No. 4 The Judge's Song 'When I, good friends, was call'd to the Bar' (Judge, All, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 5 Recitative 'Swear thou the jury' (Counsel, Usher, Jury)
    Trial by Jury
    No. 5 Recitative 'Swear thou the jury' (Counsel, Usher, Jury)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 6 Chorus of Bridesmaids 'Where's the Plaintiff?' (Counsel, Usher, Chorus of Bridemaids, Plaintiff)
    Trial by Jury
    No. 6 Chorus of Bridesmaids 'Where's the Plaintiff?' (Counsel, Usher, Chorus of Bridemaids, Plaintiff)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 7 'Oh, never since I joined the human race' (Judge, Jury, Foreman, Plaintiff, Bridesmaids, Usher)
    Trial by Jury
    No. 7 'Oh, never since I joined the human race' (Judge, Jury, Foreman, Plaintiff, Bridesmaids, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 8 Recitative 'May it please you, my lud!' (Counsel, Jury, Plaintiff)
    Trial by Jury
    No. 8 Recitative 'May it please you, my lud!' (Counsel, Jury, Plaintiff)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 9 'That she is reeling is plain to see!' (Judge, Foreman, Plaintiff, All, Counsel)
    Trial by Jury
    No. 9 'That she is reeling is plain to see!' (Judge, Foreman, Plaintiff, All, Counsel)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 10 Song of the Defendant 'Oh, gentlemen, listen, I pray' (Defendant, Bridesmaids)
    Trial by Jury
    No. 10 Song of the Defendant 'Oh, gentlemen, listen, I pray' (Defendant, Bridesmaids)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 11 'That seems a reasonable proposition' (Judge, Counsel, Bridesmaids, Jury)
    Trial by Jury
    No. 11 'That seems a reasonable proposition' (Judge, Counsel, Bridesmaids, Jury)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 12 Sextet and Chorus 'A nice dilemma we have here' (Judge, Counsel, Defendant, Plaintiff, All, Usher)
    Trial by Jury
    No. 12 Sextet and Chorus 'A nice dilemma we have here' (Judge, Counsel, Defendant, Plaintiff, All, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 13 Duet and Chorus 'I love him, I love him, with fervour unceasing' (Plaintiff, Defendant, Jury, Judge, Counsel, All)
    Trial by Jury
    No. 13 Duet and Chorus 'I love him, I love him, with fervour unceasing' (Plaintiff, Defendant, Jury, Judge, Counsel, All)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • Trial by Jury • No. 14 Finale 'O joy unbounded, with wealth surrounded' (Plaintiff, Counsel, Defendant, Usher, All, Judge)
    Trial by Jury
    No. 14 Finale 'O joy unbounded, with wealth surrounded' (Plaintiff, Counsel, Defendant, Usher, All, Judge)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • The Pirates of Penzance • Act I • 1. Opening Chorus of Pirates and Solo 'Pour, Oh Pour, the Pirate Sherry'
    The Pirates of Penzance
    Act I • 1. Opening Chorus of Pirates and Solo 'Pour, Oh Pour, the Pirate Sherry'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • 2. Song 'When Fred'ric Was a Little Lad'
    The Pirates of Penzance
    Act I • 2. Song 'When Fred'ric Was a Little Lad'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • 3. Song 'Oh, Better Far to Live and Die'
    The Pirates of Penzance
    Act I • 3. Song 'Oh, Better Far to Live and Die'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Recitative and Duet. Oh! False One, You Have Deceived Me
    The Pirates of Penzance
    Act I • Recitative and Duet. Oh! False One, You Have Deceived Me    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Chorus of Girls. Climbing over Rocky Mountain
    The Pirates of Penzance
    Act I • Chorus of Girls. Climbing over Rocky Mountain    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Recitative. Stop, Ladies, Pray!
    The Pirates of Penzance
    Act I • Recitative. Stop, Ladies, Pray!    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Song. Oh! Is There Not One Maiden Breast
    The Pirates of Penzance
    Act I • Song. Oh! Is There Not One Maiden Breast    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Song. Poor Wand'ring One
    The Pirates of Penzance
    Act I • Song. Poor Wand'ring One    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Chorus of Girls. What Ought We to Do, Gentle Sisters, Say!
    The Pirates of Penzance
    Act I • Chorus of Girls. What Ought We to Do, Gentle Sisters, Say!    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Duet. How Beautifully Blue the Sky
    The Pirates of Penzance
    Act I • Duet. How Beautifully Blue the Sky    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • Solo with Chorus. Stay, We Must Not Lose Our Senses
    The Pirates of Penzance
    Act I • Solo with Chorus. Stay, We Must Not Lose Our Senses    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • 13. Recitative 'Hold, Monsters!'
    The Pirates of Penzance
    Act I • 13. Recitative 'Hold, Monsters!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • 13. Song 'I Am the Very Model of a Modern Major-General'
    The Pirates of Penzance
    Act I • 13. Song 'I Am the Very Model of a Modern Major-General'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act I • 14. Finale 'Oh! Men of Dark and Dismal Fate'
    The Pirates of Penzance
    Act I • 14. Finale 'Oh! Men of Dark and Dismal Fate'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 1. Introduction and Solo 'Oh! Dry the Glist'ning Tear'
    The Pirates of Penzance
    Act II • 1. Introduction and Solo 'Oh! Dry the Glist'ning Tear'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 2. Recitative 'Now, Frederic, Let Your Escort Lion-Hearted'
    The Pirates of Penzance
    Act II • 2. Recitative 'Now, Frederic, Let Your Escort Lion-Hearted'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 3. Chorus with Solos 'When the Foeman Bares His Steel'
    The Pirates of Penzance
    Act II • 3. Chorus with Solos 'When the Foeman Bares His Steel'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 4. Recitative and Trio 'Now for the Pirates' Lair!'
    The Pirates of Penzance
    Act II • 4. Recitative and Trio 'Now for the Pirates' Lair!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 5. Trio 'When You Had Left Our Pirate Fold'
    The Pirates of Penzance
    Act II • 5. Trio 'When You Had Left Our Pirate Fold'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 6. Trio 'Away, Away, My Heart's on Fire!'
    The Pirates of Penzance
    Act II • 6. Trio 'Away, Away, My Heart's on Fire!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 7. Recitative and Duet 'All Is Prepared! Your Gallant Crew Await You!'
    The Pirates of Penzance
    Act II • 7. Recitative and Duet 'All Is Prepared! Your Gallant Crew Await You!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 8. Duet 'Stay, Frederic, Stay!'
    The Pirates of Penzance
    Act II • 8. Duet 'Stay, Frederic, Stay!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 9. Recitative 'No, I'll Be Brave! Oh, Family Descent'
    The Pirates of Penzance
    Act II • 9. Recitative 'No, I'll Be Brave! Oh, Family Descent'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 10. Song 'When a Felon's Not Engaged in His Employment'
    The Pirates of Penzance
    Act II • 10. Song 'When a Felon's Not Engaged in His Employment'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 11. Solo 'A Rollicking Band of Pirates We'
    The Pirates of Penzance
    Act II • 11. Solo 'A Rollicking Band of Pirates We'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 12. Solo 'With Cat-Like Tread'
    The Pirates of Penzance
    Act II • 12. Solo 'With Cat-Like Tread'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 13. Chorus 'Hush! Hush! Not a Word'
    The Pirates of Penzance
    Act II • 13. Chorus 'Hush! Hush! Not a Word'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • The Pirates of Penzance • Act II • 14. Song and Finale 'Sighing Softly to the River'
    The Pirates of Penzance
    Act II • 14. Song and Finale 'Sighing Softly to the River'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Gillian Knight (Alto), Jenevora Williams (Mezzo-soprano), John Mark Ainsley (Tenor), Julie Gossage (Mezzo-soprano), Nicholas Folwell (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1993, Swansea, Brangwyn Hall
  • Sullivan • H.M.S. Pinafore • Act I • 1. Overture
    H.M.S. Pinafore
    Act I • 1. Overture    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 2. Introduction and Opening Chorus 'We Sail the Ocean Blue'
    H.M.S. Pinafore
    Act I • 2. Introduction and Opening Chorus 'We Sail the Ocean Blue'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 3. Recitative and Aria 'I'm Called Little Buttercup'
    H.M.S. Pinafore
    Act I • 3. Recitative and Aria 'I'm Called Little Buttercup'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 4. Recitative 'But Tell Me Who's the Youth'
    H.M.S. Pinafore
    Act I • 4. Recitative 'But Tell Me Who's the Youth'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 5. Madrigal 'The Nightingale'
    H.M.S. Pinafore
    Act I • 5. Madrigal 'The Nightingale'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 6. Ballad 'A Maiden Fair to See'
    H.M.S. Pinafore
    Act I • 6. Ballad 'A Maiden Fair to See'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 7. Recitative and Song 'My Gallant Crew'
    H.M.S. Pinafore
    Act I • 7. Recitative and Song 'My Gallant Crew'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 8. Recitative 'Sir, You Are Sad!'
    H.M.S. Pinafore
    Act I • 8. Recitative 'Sir, You Are Sad!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 9. Ballad 'Sorry Her Lot'
    H.M.S. Pinafore
    Act I • 9. Ballad 'Sorry Her Lot'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 10. Barcarolle 'Over the Bright Blue Sea'
    H.M.S. Pinafore
    Act I • 10. Barcarolle 'Over the Bright Blue Sea'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 11. 'Sir Joseph's Barge is Seen'
    H.M.S. Pinafore
    Act I • 11. 'Sir Joseph's Barge is Seen'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 12. 'Now Give Three Cheers'
    H.M.S. Pinafore
    Act I • 12. 'Now Give Three Cheers'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 13. Song 'When I Was a Lad'
    H.M.S. Pinafore
    Act I • 13. Song 'When I Was a Lad'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 14. 'For I Hold That on the Seas'
    H.M.S. Pinafore
    Act I • 14. 'For I Hold That on the Seas'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 15. 'Glee. A British Tar'
    H.M.S. Pinafore
    Act I • 15. 'Glee. A British Tar'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 16. Duet. Refrain, Audacious Tar
    H.M.S. Pinafore
    Act I • 16. Duet. Refrain, Audacious Tar    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act I • 17. Finale 'Can I Survive This Overbearing?'
    H.M.S. Pinafore
    Act I • 17. Finale 'Can I Survive This Overbearing?'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 1. Entr'acte
    H.M.S. Pinafore
    Act II • 1. Entr'acte    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 2. Song 'Fair Moon, to Thee I Sing'
    H.M.S. Pinafore
    Act II • 2. Song 'Fair Moon, to Thee I Sing'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 3. Duet 'Things Are Seldom What They Seem'
    H.M.S. Pinafore
    Act II • 3. Duet 'Things Are Seldom What They Seem'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 4. Scena 'The Hours Creep On Apace'
    H.M.S. Pinafore
    Act II • 4. Scena 'The Hours Creep On Apace'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 5. Trio 'Never Mind the Why and Wherefore'
    H.M.S. Pinafore
    Act II • 5. Trio 'Never Mind the Why and Wherefore'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 6. Duet 'Kind Captain, I've Important Information'
    H.M.S. Pinafore
    Act II • 6. Duet 'Kind Captain, I've Important Information'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 7. Soli and Chorus 'Carefully on Tiptoe Stealing'
    H.M.S. Pinafore
    Act II • 7. Soli and Chorus 'Carefully on Tiptoe Stealing'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 8. Octet and Chorus 'Farewell, My Own!'
    H.M.S. Pinafore
    Act II • 8. Octet and Chorus 'Farewell, My Own!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 9. Song 'A Many Years Ago'
    H.M.S. Pinafore
    Act II • 9. Song 'A Many Years Ago'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999
  • Sullivan • H.M.S. Pinafore • Act II • 10. Finale 'O Joy, Oh Rapture Unforeseen!'
    H.M.S. Pinafore
    Act II • 10. Finale 'O Joy, Oh Rapture Unforeseen!'    Libretto: William Schwenck Gilbert
    Donald Adams (Bass-baritone), Felicity Palmer (Mezzo-soprano), John King (Bass), Michael Schade (Tenor), Philip Lloyd-Evans (Bass), Rebecca Evans (Soprano), Richard Stuart (Baritone), Richard Van Allan (Bass), Thomas Allen (Baritone), Valerie Seymour (Mezzo-soprano), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1999