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Gilbert & Sullivan: The Yeomen of the Guard & Trial by Jury

©℗ 1995 Telarc
  • Sullivan • The Yeomen of the Guard • Act I • 1. Overture
    The Yeomen of the Guard
    Act I • 1. Overture    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 2. Song 'When Maiden Loves'
    The Yeomen of the Guard
    Act I • 2. Song 'When Maiden Loves'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 3. Double Chorus 'Tower Warders, Under Orders… This the Autumn of Our Life'
    The Yeomen of the Guard
    Act I • 3. Double Chorus 'Tower Warders, Under Orders… This the Autumn of Our Life'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 4. Song with Chorus 'When Our Gallant Norman Foes'
    The Yeomen of the Guard
    Act I • 4. Song with Chorus 'When Our Gallant Norman Foes'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 5. Trio 'Alas! I Waver to and Fro'
    The Yeomen of the Guard
    Act I • 5. Trio 'Alas! I Waver to and Fro'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 6. Ballad 'Is Life a Boon?'
    The Yeomen of the Guard
    Act I • 6. Ballad 'Is Life a Boon?'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 7. Chorus 'Here's a Man of Jollity'
    The Yeomen of the Guard
    Act I • 7. Chorus 'Here's a Man of Jollity'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 8. Duet 'I Have a Song to Sing'
    The Yeomen of the Guard
    Act I • 8. Duet 'I Have a Song to Sing'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 9. Trio 'How Say You, Maiden'
    The Yeomen of the Guard
    Act I • 9. Trio 'How Say You, Maiden'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 10. Song 'I've Jibe and Joke, and Quip and Crank'
    The Yeomen of the Guard
    Act I • 10. Song 'I've Jibe and Joke, and Quip and Crank'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 11. Recitative and Song ''Tis Done, I Am a Bride… Though Tear and Long-Drawn Sigh'
    The Yeomen of the Guard
    Act I • 11. Recitative and Song ''Tis Done, I Am a Bride… Though Tear and Long-Drawn Sigh'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 12. Song 'Were I Thy Bride'
    The Yeomen of the Guard
    Act I • 12. Song 'Were I Thy Bride'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act I • 13. Finale 'Oh, Sergeant Meryll, Is It True'
    The Yeomen of the Guard
    Act I • 13. Finale 'Oh, Sergeant Meryll, Is It True'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 1. Chorus and Solo 'Night Has Spread Her Pall Once More'
    The Yeomen of the Guard
    Act II • 1. Chorus and Solo 'Night Has Spread Her Pall Once More'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 2. Song 'Oh, a Private Buffoon Is a Light-Hearted Loon'
    The Yeomen of the Guard
    Act II • 2. Song 'Oh, a Private Buffoon Is a Light-Hearted Loon'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 3. Duet 'Hereupon We're Both Agreed'
    The Yeomen of the Guard
    Act II • 3. Duet 'Hereupon We're Both Agreed'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 4. Ballad 'Free from His Fetters Grim'
    The Yeomen of the Guard
    Act II • 4. Ballad 'Free from His Fetters Grim'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 5. Quartet 'Strange Adventure'
    The Yeomen of the Guard
    Act II • 5. Quartet 'Strange Adventure'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 6. Scene 'Hark, What Was That, Sir?'
    The Yeomen of the Guard
    Act II • 6. Scene 'Hark, What Was That, Sir?'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 7. Trio 'A Man Who Would Woo a Fair Maid'
    The Yeomen of the Guard
    Act II • 7. Trio 'A Man Who Would Woo a Fair Maid'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 8. Quartet 'When a Wooer Goes a-Wooing'
    The Yeomen of the Guard
    Act II • 8. Quartet 'When a Wooer Goes a-Wooing'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 9. Duet 'Rapture, Rapture'
    The Yeomen of the Guard
    Act II • 9. Duet 'Rapture, Rapture'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • The Yeomen of the Guard • Act II • 10. Finale 'Comes the Pretty Young Bride'
    The Yeomen of the Guard
    Act II • 10. Finale 'Comes the Pretty Young Bride'    Libretto: William Schwenck Gilbert
    Alwyn Mellor (Soprano), Clare O'Neill (Soprano), Donald Adams (Bass-baritone), Donald Maxwell (Baritone), Felicity Palmer (Mezzo-soprano), Neill Archer (Tenor), Pamela Helen Stephen (Mezzo-soprano), Peter Hoare (Tenor), Peter Savidge (Baritone), Philip Lloyd-Evans (Bass), Ralph Mason (Tenor), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    ℗ 1995
  • Sullivan • Trial by Jury • No. 1 Solo and Chorus 'Hark, the hour of ten is sounding' (Usher, Chorus)
    Trial by Jury
    No. 1 Solo and Chorus 'Hark, the hour of ten is sounding' (Usher, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 1a Recitative 'Is this the Court of the Exchequer?' (Defendant, All, Chorus of Jurymen)
    Trial by Jury
    No. 1a Recitative 'Is this the Court of the Exchequer?' (Defendant, All, Chorus of Jurymen)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 2 Song and Chorus 'When first my old, old love I knew' (Defendant, Chorus of Jurymen, Usher)
    Trial by Jury
    No. 2 Song and Chorus 'When first my old, old love I knew' (Defendant, Chorus of Jurymen, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 3 Chorus and Solo 'All hail, great Judge!' (Judge, All, Chorus)
    Trial by Jury
    No. 3 Chorus and Solo 'All hail, great Judge!' (Judge, All, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 4 The Judge's Song 'When I, good friends, was call'd to the Bar' (Judge, All, Chorus)
    Trial by Jury
    No. 4 The Judge's Song 'When I, good friends, was call'd to the Bar' (Judge, All, Chorus)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 5 Recitative 'Swear thou the jury' (Counsel, Usher, Jury)
    Trial by Jury
    No. 5 Recitative 'Swear thou the jury' (Counsel, Usher, Jury)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 6 Chorus of Bridesmaids 'Where's the Plaintiff?' (Counsel, Usher, Chorus of Bridemaids, Plaintiff)
    Trial by Jury
    No. 6 Chorus of Bridesmaids 'Where's the Plaintiff?' (Counsel, Usher, Chorus of Bridemaids, Plaintiff)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 7 'Oh, never since I joined the human race' (Judge, Jury, Foreman, Plaintiff, Bridesmaids, Usher)
    Trial by Jury
    No. 7 'Oh, never since I joined the human race' (Judge, Jury, Foreman, Plaintiff, Bridesmaids, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 8 Recitative 'May it please you, my lud!' (Counsel, Jury, Plaintiff)
    Trial by Jury
    No. 8 Recitative 'May it please you, my lud!' (Counsel, Jury, Plaintiff)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 9 'That she is reeling is plain to see!' (Judge, Foreman, Plaintiff, All, Counsel)
    Trial by Jury
    No. 9 'That she is reeling is plain to see!' (Judge, Foreman, Plaintiff, All, Counsel)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 10 Song of the Defendant 'Oh, gentlemen, listen, I pray' (Defendant, Bridesmaids)
    Trial by Jury
    No. 10 Song of the Defendant 'Oh, gentlemen, listen, I pray' (Defendant, Bridesmaids)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 11 'That seems a reasonable proposition' (Judge, Counsel, Bridesmaids, Jury)
    Trial by Jury
    No. 11 'That seems a reasonable proposition' (Judge, Counsel, Bridesmaids, Jury)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 12 Sextet and Chorus 'A nice dilemma we have here' (Judge, Counsel, Defendant, Plaintiff, All, Usher)
    Trial by Jury
    No. 12 Sextet and Chorus 'A nice dilemma we have here' (Judge, Counsel, Defendant, Plaintiff, All, Usher)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 13 Duet and Chorus 'I love him, I love him, with fervour unceasing' (Plaintiff, Defendant, Jury, Judge, Counsel, All)
    Trial by Jury
    No. 13 Duet and Chorus 'I love him, I love him, with fervour unceasing' (Plaintiff, Defendant, Jury, Judge, Counsel, All)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall
  • Sullivan • Trial by Jury • No. 14 Finale 'O joy unbounded, with wealth surrounded' (Plaintiff, Counsel, Defendant, Usher, All, Judge)
    Trial by Jury
    No. 14 Finale 'O joy unbounded, with wealth surrounded' (Plaintiff, Counsel, Defendant, Usher, All, Judge)    Libretto: William Schwenck Gilbert
    Barry Banks (Tenor), Donald Adams (Bass-baritone), Gareth Rhys-Davies (Baritone), Pamela Helen Stephen (Mezzo-soprano), Peter Savidge (Baritone), Rebecca Evans (Soprano), Richard Stuart (Baritone), Sir Charles Mackerras
    Chorus of the Welsh National Opera, Orchestra of Welsh National Opera
    1995, Swansea, Brangwyn Hall