Postcard from Helsinki
No city combines sensuous art nouveau beauty with rugged Nordic brutality quite like Helsinki does. The Finnish Capital sits resplendent on the Baltic Sea, at the very edge of Europe and within touching distance of Russia and the Baltic States. Finland has been free and independent for just a century, but Helsinki always knew how best to reap the rewards of the various empires it found itself a part of.
Read more…- Rautavaara•Lintukoto (1995) “Isle of Bliss”•Lintukoto (1995) "Isle of Bliss"
- Kajanus•Aino for Male Chorus and Orchestra•
- Wennäkoski•Soie for Flute and Orchestra (2009)•I. Voile
- Sibelius•Symphony No. 1 in E minor op. 39•I. Andante, ma non troppo – Allegro energico
- Sibelius•Symphony No. 1 in E minor op. 39•II. Andante (ma non troppo lento)
- Sibelius•Symphony No. 1 in E minor op. 39•III. Scherzo. Allegro
- Sibelius•Symphony No. 1 in E minor op. 39•IV. Finale. Quasi una fantasia
- Sibelius•Orgier (Orgies) JS 143•Giv mig den blanka bägaren åter
- Saariaho•Caliban's Dream (1993)•
- Lindberg•Era, for Orchestra•Era
- Merikanto•Songs op. 93•4. Elämälle (To life) "Hell dig, liv"
- Kuula•Juhlamarssi (Festive March) op. 13•
- Sibelius•Finlandia op. 26•
- Saariaho•D'OM LE VRAI SENS (2010)•1. L'ouïe (Hearing)
- Saariaho•D'OM LE VRAI SENS (2010)•2. La vue (Sight)
- Saariaho•D'OM LE VRAI SENS (2010)•3. L’odorat (Smell)
- Saariaho•D'OM LE VRAI SENS (2010)•4. Le toucher (Touch)
- Saariaho•D'OM LE VRAI SENS (2010)•5. Le goût (Taste)
- Saariaho•D'OM LE VRAI SENS (2010)•6. À mon seul désir (According to my desire alone)
- Merikanto•Finnish Song Compositions V op. 52•2. Linnulle kirkkomaalla (To a bird in the churchyard)
- Sallinen•The Palace Rhapsody for Winds, Percussion, Harp and Piano op. 72•
- Madetoja•Kullervo, Symphonic Poem op. 15•
- Busoni•Perpetuum mobile for Piano BV 293 (1922) (after Concertino op. 54 BV 292: II. Scherzoso)•Presto
- Tarkiainen•The Baudelaire Songs•I. The Albatross
- Fagerlund•Stonework (2015)•
- Räihälä•Kirkasvetinen (Brightwater-Lichtwasser), for Violin, Viola, Cello, Double Bass and Piano•I. Kirkasvetinen (Brightwater-Lichtwasser), for Violin, Viola, Cello, Double Bass and Piano
- Merikanto•Songs op. 106•1. Iltakellot (Evening bells)
- Pohjola•Symphony No. 2 (2006)•I. —
- Sibelius•Symphony No. 3 in C major op. 52•I. Allegro moderato
- Sibelius•Symphony No. 3 in C major op. 52•II. Andantino con moto, quasi allegretto
- Sibelius•Symphony No. 3 in C major op. 52•III. Moderato - Allegro ma non tanto
- Aho•Symphonic Dances (Hommage à Uuno Klami) (2001)•I. Prelude
- Aho•Symphonic Dances (Hommage à Uuno Klami) (2001)•II. Return of the Flames and Dance
- Aho•Symphonic Dances (Hommage à Uuno Klami) (2001)•III. Grotesque Dance
- Aho•Symphonic Dances (Hommage à Uuno Klami) (2001)•IV. Dance of the Winds and Fires
- Rautavaara•Concerto for Violoncello and Orchestra No. 2 “Towards the Horizon”•
- Sibelius•Two Songs for Voice and Piano op. 35•1. Jubal
- Sibelius•String Quartet in D minor op. 56 “Voces intimae”•III. Adagio di molto
As such, Helsinki is one of the most musical cities on earth. A few years ago a political campaign was launched to rename its airport after the composer Jean Sibelius, even if the man really responsible for getting Helsinki's music life up and running was Sibelius's friend and rival Robert Kajanus, founder of the Helsinki Philharmonic. Finland exports plenty of conductors but holds on to just as many; its two symphony orchestras have only ever had one non-Finnish chief conductor between them. Both their audiences expect a regular diet of new or unfamiliar music.
A new concert hall complex (2011) and a relatively new opera house (1993) have changed the musical landscape of Helsinki and a constant flow of interesting composers keeps the tradition established by Kajanus and Sibelius alive (not all of them, like the sometime resident Feruccio Busoni, were born in Finland). Like the city's inhabitants, their music is rather more warm and familial that it can appear at first glance. Much of it is, like so much Finnish art, wrapped up in nature and mythology.
The Finns are a pragmatic bunch, which allows them to look resolutely to the future without dispensing with the past. That applies to city life as much as to music. Helsinki is changing fast, with a beautiful new national library now joining the Music Centre and art gallery Kiasma opposite the frankly terrifying parliament building on Mannerheimintie. Few cities in Europe feel as modern as this one does, and few music scenes more forward looking or sounding.